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Manager Instructional Technology at George Washington University -

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Friday, November 10, 2017

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Welcome to Media Jobs: Social Media Jobs

The Career Intelligence™ Authority

Social media is no longer just a hob­by – it’s an oppor­tu­ni­ty for busi­ness­es to estab­lish mean­ing­ful rela­tion­ships with cus­tomers and clients. Com­pa­nies need mar­ket­ing-mind­ed indi­vid­u­als to fill social media mar­ket­ing jobs and use their online exper­tise to build the brand. The explo­sion of web­sites like Face­book, Twit­ter, Tum­blr and Pin­ter­est has giv­en busi­ness­es more ways than ever to pro­mote prod­ucts, start con­ver­sa­tions, and mon­i­tor brand rep­u­ta­tion. Knowl­edge is pow­er, and your flu­en­cy in social media could mean big bucks in social media man­ag­er jobs. If you know how to take data from plat­forms and ana­lyze its mean­ing for a brand or a busi­ness then you could be very valu­able in today’s media job mar­ket. Social media jobs focus on deliv­er­ing valu­able insights about cus­tomer engage­ment and expe­ri­ence. A great social media man­ag­er cre­ates a whole new way to expe­ri­ence a prod­uct or brand. The posi­tion takes a peo­ple-per­son with great com­mu­ni­ca­tion skills and com­put­er flu­en­cy. New media chan­nels are pop­ping up all the time, and the vic­to­ry goes to those who lever­age these new chan­nels into their over­all mar­ket­ing strat­e­gy. Are you a social media pro? Why not use our social media job search to find the best oppor­tu­ni­ties. With spe­cial­ties like Media Inte­gra­tion, Social Engage­ment, Social Out­reach, and Media Mar­ket­ing, you can find a social media job that enhances and builds your skills.

How is VNTANA Creating Social Augmented Reality with Hologram Technology?

How is VNTANA Creating Social Augmented Reality with Hologram Technology?

When fans wit­nessed the late rap­per Tupac Shakur appear­ing onstage with the still very alive Snoop Dogg and Dr. Dre at Coachel­la back in 2012, there were prob­a­bly more than a few of them who thought they were hav­ing a Wood­stock “don’t eat the brown acid” moment. How­ev­er good or bad the drugs were at the fes­ti­val, how­ev­er, they weren’t respon­si­ble for see­ing a long-dead artist per­form­ing on stage. It was a holo­gram, and it was real­ly cool. 3D holo­grams have been part of our imag­i­na­tion and sci-fi cul­ture for decades. At this point it’s noth­ing spe­cial to see a movie where the bad guy thinks he’s got the drop on the good guy, only to find out he’s actu­al­ly shoot­ing at a holo­gram instead. But that’s the movies. See­ing Tupac rap­ping more than 15 years after his death is real life — sort of, any­way. And since then there have been oth­er pop cul­ture stunts with holo­grams as well. Now a com­pa­ny is bring­ing the holo­gram expe­ri­ence to the mass­es in a very cool way. VNTANA cre­at­ed their tech­nol­o­gy by hack­ing a first gen­er­a­tion Microsoft Kinect a few years ago. Then they sent a video of what they’d done…

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Is 360 Video the Future of Media?

Is 360 video the future of media?

Know any­thing about 360 Video? It’s said that the best tech is the tech you don’t notice. The same idea could be restat­ed as, a rev­o­lu­tion­ary new break­through has­n’t real­ly achieved suc­cess until its reached crit­i­cal mass as a part of the gen­er­al pub­lic’s every­day rou­tines. So while vir­tu­al real­i­ty is arguably one of the coolest tech devel­op­ments in his­to­ry, it’s still essen­tial­ly sit­ting on the side­lines as a nov­el­ty. Grant­ed, it’s try­ing hard to get in the game, but so far it’s still the favorite new toy of the cut­ting edge crowd. 2017 could be the year that changes, that the first killer app for VR brings it onto Main Street. There are signs that this is com­ing, and one of them is just now devel­op­ing across a num­ber of “main­stream” areas — 360 videos. 360 Video is it! Your Panoram­ic Pho­to is Old School 360 videos are next evo­lu­tion from the panoram­ic pho­tos tak­en with smart­phones, which might be con­sid­ered the most basic form of VR. Of course they need spe­cial omni-direc­­tion­al cam­eras or a spe­cial rig with mul­ti­ple cam­eras to shoot them, which smart­phones don’t have (yet), in order to cap­ture a 360 degree view of the…

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Assignment Editor for NBC TV in San Jose

Assignment Editor NBC TV Bay Area

One of the largest enter­tain­ment com­pa­nies in the world needs an Assign­ment Edi­tor for their tele­vi­sion sta­tion in the Bay Area locat­ed in San Jose Cal­i­for­nia. This is a free­lance posi­tion. Apply for the Assign­ment Edi­tor posi­tion by send­ing a cov­er let­ter and resume to: KNTVJobs@nbc.com The NBC Uni­ver­sal Sto­ry NBC Uni­ver­sal is one of the world’s lead­ing media and enter­tain­ment com­pa­nies in the devel­op­ment, pro­duc­tion, and mar­ket­ing of enter­tain­ment, news and infor­ma­tion to a glob­al audi­ence. With a his­to­ry going back to 1912 it was found­ed by Carl Laemm­le’s when his Inde­pen­dent Mov­ing Pic­tures Com­pa­ny merged with five oth­er film com­pa­nies to cre­ate the Uni­ver­sal Film Man­u­fac­tur­ing Com­pa­ny, head­ed by Laemm­le. For the first time, a sin­gle enti­ty encom­passed all facets of the movie indus­try: pro­duc­tion, dis­tri­b­u­tion, and exhi­bi­tion. The NBCU­ni­ver­sal News Group is the most influ­en­tial and respect­ed port­fo­lio of on-air and dig­i­tal news prop­er­ties in the world, reach­ing more than 120M view­ers each month. The Group includes NBC News, a broad­cast leader of glob­al news and infor­ma­tion for over 75 years and home to such respect­ed  pro­grams as “NBC Night­ly News with Lester Holt,” “Today” and “Meet the Press;” MSNBC, the pre­miere des­ti­na­tion for in-depth analy­sis of dai­ly head­lines,…

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Sprinklr is Up Close and Personal in a Big Way

Sprinklr is Up Close and Personal in a Big Way

What if you could talk to mil­lions of peo­ple one at a time and do it in less than 60 sec­onds.  Sprin­klr is the world’s first per­son­al­ized scal­able social media plat­form. Does any­one remem­ber Tweet­deck? It was one of the first social media man­age­ment plat­forms to be wide­ly adopt­ed by both indi­vid­u­als and busi­ness­es, way back long ago. Then they basi­cal­ly went under. In the last five years or so, social media man­age­ment com­pa­nies and soft­ware have boomed from a niche group to one f the dri­ving forces in mod­ern mar­ket­ing and cus­tomer ser­vice oper­a­tions. And the seg­ment is grow­ing more and more. But the focus has expand­ed expo­nen­tial­ly. Tweet­deck essen­tial­ly let you post to Twit­ter and Face­book (before remov­ing the Face­book func­tion­al­i­ty and falling flat) and mon­i­tor your feeds with fil­ters. Rev­o­lu­tion­ary once, less than the most basic require­ment today. Now social media man­age­ment must be holis­tic in its approach, because social media has gone from being a sub­set of the online world to the cen­ter of it. Every­thing revolves around it. Like the eye of a hur­ri­cane. Imag­ine the online world as that hur­ri­cane. Your emails, web­sites, social accounts, online soft­ware plat­forms, blogs, retail­ers, and so on, swirling…

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Techcrunch Interviews: Laugh.ly The Digital Comedy Play

Media Jobs Laugh.ly The Digital Comedy Play

Dave Scott got the idea for Laugh.ly after spend­ing a year doing stand up com­e­dy.  He real­ized how much every­one loves a good laugh and he thought he could be the first one to laugh all the way to the bank for the right rea­sons.  Scott says that 50 mil­lion tick­ets were sold to com­e­dy clubs in 2015 and believes that is an indi­ca­tor of the poten­tial for his busi­ness. With a sim­i­lar busi­ness mod­el to Spo­ti­fy, a freemi­um option with com­mer­cials and a $7.99 per month option sans com­mer­cials, Laugh.ly will be both an app and a web­site. But com­e­dy is all about con­text and Dave explains how he will cat­a­log, archive and present his humor in a way that will keep you laugh­ing.  Lis­ten in as Roy Weiss­man of Media Jobs inter­views Dave.     Roy: This is Roy Weiss­man from Mediajobs.com. We’re talk­ing with Dave Scott, the CEO of Laugh.ly. Dave: The rea­son I start­ed Laugh.ly was because I actu­al­ly did stand-up com­e­dy for a year. After I sold my last com­pa­ny, I did open mics and then worked my way up to big head­lin­ers and I real­ized how much peo­ple love com­e­dy. In fact, of the 160…

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